The Sentinel:
Gleichman certainly has the talent to keep an audiences attention through the whole of the play, but it is Zachary Brewster-Geisz who steals the show as the young, crude and incredulous Mozart.
Throughout the play Brewster-Geisz is able to wax comic and tragic without the least bit of hesitation; patrons will laugh hysterically at Mozart’s profanity laden jokes and lament his eventual downfall.
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